Email | 443-622-3277
George F. Getz Jr. Professor in the Wells Scholars Program
Wells Scholars Program Director
Ph.D. habil., University of Bonn, 1997
Ph.D., University of Bonn, 1991
M.A., University of Bonn, 1988
I teach, and write about, nineteenth- and twentieth-century American and Canadian literature and culture. A long-standing interest of mine is ecocriticism, specifically early American nature writing—hence my book on The Poetics of Natural History, my edition of the writings of John James Audubon, and the ecocritical anthology, A Keener Perception, which I co-edited with the art historian Alan Braddock (College of William and Mary). Another abiding passion of mine is nineteenth-century American poetry. In Longfellow Redux, I have tried to understand a period in which poetry was meant to be read by a broad, transnational audience.
My favorite place at IU is the Lilly Library; studying manuscripts and rare books is essential to my research and teaching. In recent years, I have worked extensively with public institutions, the National Park Service, the Field Museum in Chicago, the Maine Historical Society, and Harvard University’s Houghton Library, where I guest-curated the 2007 Bicentennial Longfellow exhibit (the companion book for the exhibit is Public Poet, Private Man, published by the University of Massachusetts Press). I was a consultant for, and appear in, two award-winning documentaries on John James Audubon, the "American Masters" film directed by Lawrence Hott, and A Summer of Birds, directed by Christina Melton. In 2006, I co-taught an NEH Institute for Teachers on Hawthorne and Longfellow at Bowdoin College in Maine. I have directed two NEH Institutes on John James Audubon at the Lilly.
I recently published a biography of the nineteenth-century anti-Darwinist Louis Agassiz, which also seeks to understand the beginnings of graduate instruction in this country. Louis Agassiz: Creator of American Science is available from Houghton Mifflin Harcourt. The book has been widely reviewed and was Editor's Choice of The New York Times Book Review in February 2013. I have just completed a new biography of the writer, poet, and activist Max Eastman, Max Eastman's Century, the first to make use of the rich archives at the Lilly Library. It will be published by Yale University Press. Future projects will likely include another book with art historian Alan Braddock and a new biography John Jay Chapman, one of America's oddest writers and, if Edmund Wilson is right, also one of the best.
I serve on the Executive Council of the Association for the Study of Literature and the Environment and on the editorial board of Soundings. I review natural history books for The Weekly Standard. With Christof Mauch (University of Munich, I co-edit the interdisciplinary book series “Transatlantic Perspectives” (Berghahn Books, NY). I am a member of the Authors' Guild; my personal website can be found at www.christophirmscher.com. At IU, I also direct the Wells Scholars Program.=
ENG-L202 Literary Interpretation
ENG-L351 American Literature 1800-01865
ENG-L356 American Poetry to 1900
L-504: Modern Literary Archives
ENG-L653 American Literature 1800-1900
ENG-L761 American Poetry
Selected Publications (click images for more information)
Longfellow Redux (University of Illinois Press, 2006).
Click here to read an article from the Longfellow House Bulletin.
John James Audubon, Writings and Drawings (Library of America, 1999). Click here for an interview with Christoph Irmscher and filmmaker Larry Hott.
Masken der Moderne: Literarische Selbststilisierung bei T.S. Eliot, Ezra Pound,Wallace Stevens und William Carlos Williams (Königshausen and Neumann, 1992).
"Linen Shreds and Melons in a Field: Emerson and His Contemporaries." The Cambridge History of American Poetry. Ed. Stephen Burt and Alfred Bendixen. New York: Cambridge University Press, 2014, forthcoming.
"Listening to Eliot’s Thrush.” Partial Answers 21.2 (2014): 231-49.
(with Charles H. Adams), “A New Translation of Die Regulatoren in Arkansas.” Arkansas Historical Quarterly 73.1 (Spring 2014): 56-68.
“Susan Fenimore Cooper and the Ecology of Reading.” Partial Answers, 21.1 (2014): 41-61.
Afterword. Longfellow, Evangeline and Selected Poems and Tales. Ed. Howard Gregory. New York: Signet, 2013. 265-76.
“Audubon Goes North.” Cultural Circulation: Dialogues between Canadian Writers and Writers from the American South. Ed. Waldemar Zacharasiewicz and Christoph Irmscher. Austrian Academy of Sciences Press, 2013, 77-97.
“Henry Wadsworth Longfellow.” Oxford Bibliographies Online (OBO). Oxford University Press. Over 100 entries. 2013.
"Catesby’s Owl.” Pacific Coast Philology. Special Issue on “Literature, Culture, and the Environment.” 46.2 (2011): 153-176.
“Bayard Taylor and the Limits of Orientalism.” The Limits of History, ed. Allen Dunn and Thomas Haddox. Knoxville, TN: University of Tennessee Press, 2012. 76-104.
“Audubon's Border-Crossings.” Riding/Writing Across Borders in North American Travelogues and Fiction, ed. Waldemar Zacharasiewicz. Vienna: Austrian Academy of Sciences, 2011, 45-63.
“Reading for Our Delight.” Dante Studies, 128 (2010): 45-64.
“Longfellow's Sentimentality.” Soundings: An Interdisciplinary Journal, 93.3/4 (2010): 249-280.
“'Headache All Day': Henry James Clark at Agassiz's Museum,” Raritan 29.2 (Fall 2009): 69-100.
“Writing by Victorian Naturalists.” The Cambridge History of Canadian Literature. Ed. Coral A. Howells and Eva-Marie Kroeller. Cambridge, UK: Cambridge University Press, 2009. 144-165.
“November 27, 1820: Landscape with Birds.” A New Literary History of America. Ed. Greil Marcus and Werner Sollors. Cambridge, MA: Belknap, 2009. 154-60.
“Wonderful Entanglements: Louis Agassiz, Auguste Sonrel, and the Cyanea Arctica,” in A Keener Perception: Ecocritical Studies in American Art History. Ed. Alan C. Braddock and Christoph Irmscher. Tuscaloosa: University of Alabama Press, forthcoming in 2008.
Foreword, Lucy DeLatte, Lucy Audubon: A Biography. Baton Rouge: Louisiana State UP, 2008.
“‘So That Nothing May Be Lost’: Thomas McIlwraith’s Birds of Ontario,” in Fiamengo, Janice (ed.), Other Selves: Animals in the Canadian Literary Imagination (Ottawa: University of Ottawa Press, 2007) 144-169.
“When Harry Met Annie,” Raritan 26.4 (Spring 2007): 155-79.
“Popular Poetry.” American History through Literature, 1870-1890, ed. Gary Scharnhorst and Tom Quirk (Scribner’s, 2006), 859-867.
“The Fireside Poets,” American History through Literature, 1850-1870, ed. Robert Sattelmeyer and Janet Gabler-Hover (Scribner’s, 2006), 420-425.
“‘Pearly Light’: Genoa in the Nineteenth-Century American Imagination.” La città e il mare, ed. Giorgetta Revelli (Edizioni ETS, 2005), 285-302.
“Nature-Writing,” The Cambridge Companion to Canadian Literature, ed. Eva-Marie Kroeller ( Cambridge UP, 2004) 94-114.
“Darwin’s Beard.” Aging and Old Age in British and American Literature, ed. Christa Jansohn ( LIT, 2004), 87-106.
“Longfellow Redux,” Raritan 21.3 (Winter 2002): 100-129.
“Nature Laughs at Our Systems: Philip Henry Gosse’s The Canadian Naturalist,” Canadian Literature 170/171 (Autumn/Winter 2001): 58-86.
“Audubon and the Veiled Lady,” The American Scholar 68.3 (Summer 1999): 65-76.
Selected Honors and Awards
Election to the Austrian Academy of Sciences, 2014.
NEH Grant for Summer Institute on John James Audubon, 2009 and 2011
James P. Holland Award for Exemplary Teaching and Service to Students, College of Arts and Sciences, Indiana University, 2010.
Trustees Teaching Award, Indiana University, 2009
Rare Books and Manuscripts (RBMS) Award for best electronic exhibition, Association of College and Research Libraries, American Library Association, 2009
Choice Outstanding Academic Title 2007 (for Longfellow Redux)
Friends of the Longfellow House, 2006
NEH Faculty Fellowship, 2005-2006
Rodney G. Dennis Fellow in the Study of Manuscripts, Houghton Library, Harvard University, 2004
Research Fellowship, University of Maryland Baltimore County, 2003
NEH Summer Stipend, 2002
American Studies Network Prize 2000
CUE Award for Excellence in Undergraduate Teaching, Harvard University, 2000
Literature and Language Award of the Association of American Publishers, 1999